• Amaryllis has also been translated into Spanish and German, and Little Witch into Spanish and Portuguese.
• Pascal and Alexis have worked together for years; the translation of Amaryllis was developed at the Glassco Translation Residency in Tadoussac, and Little Witch at the Banff Playwrights Lab.

À propos des auteurs

Brullemans, Pascal

Pascal Brullemans got into the National Theatre School to woo a girl, only to discover that he actually had talent; his first play was directed by Wajdi Mouawad. After a foray into writing for young audiences with L’armoire, Pascal reached out to teens with his plays Isberg and Monstres. Amaryllis took top honours at Lyon Playwrights’ Days and won the Louise-LaHaye Award for Young Audiences in 2013. He lives in Montréal.

Diamond, Alexis

Alexis Diamond is a theatre artist, opera and musical librettist, translator, and theatre curator working on both sides of Montréal’s linguistic divide. Her award-winning works have been presented across Canada, the US, and Europe. Her translation of Pascal Brullemans’ plays for young audiences, Amaryllis and Little Witch (Playwrights Canada Press) was a finalist for the 2020 Governor General’s Award. In 2018, Alexis began a collaboration with Erin Hurley and Emma Tibaldo researching the history of English-language theatre in Québec. Alexis is the Anglo-Canadian theatre curator for the famed Festival du Jamais Lu; she presented the mostly French-language Faux-amis with co-author Hubert Lemire for the festival in 2019 and has continued to work on it with Hubert at the 2021 Banff Playwrights Lab. Upcoming tours of her theatre translations include The Problem with Pink by Érika Tremblay-Roy and Pascal Brullemans’s The Nonexistent. She is currently working on translating Alexia Bürger's Les Hardings and Marie-Hélène Larose-Truchon's Un oiseau m'attend. She lives in Montréal.